headerbackground-image
  • H O M E

  • B I O

  • P R I N T S

  • A W A R D S

  • L I N K S

  • C O M M E N T S

  • C O N T A C T

  • ABOUT WIND-SWEPT CLOUDS

  • Pg1/Wind Swept Clouds

  • Pg2/Wind Swept Clouds

  • Pg3/Wind Swept Clouds Series

  • Pg4/Wind Swept Clouds Series One

  • Pg5/Wind Swept Clouds Series One

  • Pg6/Wind Swept Clouds Series

  • Pg7/Wind Swept Clouds Series One

  • Pg8/Wind Swept Clouds Series One

  • Pg9/Wind Swept Clouds Series

  • Pg10/Wind Swept Clouds Series

  • ABOUT SEASIDE

  • SEASIDE/Secret Stairs To Brooks Island

  • SEASIDE/Winter 5pm S.F. Bay

  • SEASIDE/It's Raining Over In Oakland

  • SEASIDE/Stick In The Mud

  • STORIES

  • ABOUT THE FAMOSO MOTEL

  • Page1/FAMOSO MOTEL

  • Page2/FAMOSO MOTEL

  • Page3/FAMOSO MOTEL

  • Page4/FAMOSO MOTEL

  • Page5/FAMOSO MOTEL

  • Page6/FAMOSO MOTEL

  • Page7/FAMOSO MOTEL

  • ABOUT SHADOWS

  • A Decisive Moment - Shadow

  • Stair Shadows No. 1

  • Street Shadows No.1

  • Sidewalk Abstract No.1

  • Sidewalk Shadows No. 1

  • Railing Shadows No. 1

  • Abstract Repeat No. 2

  • Banister Shadows

  • Saucer Sadows

  • Viewing Angel Island

  • ABOUT DETAILS

  • DETAILS/1950 Buick Grille

  • DETAILS/1937 Terraplane Hood Ornament

  • DETAILS/New York Central Train Car

  • DETAILS/Last To Leave

  • DETAILS/Weathervane

  • DETAILS/Nelson

  • DETAILS/Smiles Of Evidence

  • DETAILS/Hand Rail & Abandoned Orange

  • DETAILS/Hand Rail Detail No.1

  • DETAILS/Hand Rail Detail No.2

  • DETAILS/Spring-Board

  • DETAILS/Fork+Salt Shaker

  • DETAILS/Breakfast

  • SCOTT LOCKWOOD - PHOTOGRAPER

  • DETAILS/Lunch

  • DETAILS/Dinner

  • DETAILS/Mix It Up

  • DETAILS/Fork+Salt Shaker-COLOR

  • DETAILS/High Anxiety-Color

  • DETAILS/Spring Forward

  • ABOUT IRONY

  • Bitter Invitation

  • Ready To Roll

  • Ready To Roll Poster

  • ABOUT ARCHITECTURE

  • Alameda City Hall

  • Alameda Streamline 2

  • ALAMEDA Medical Bldg.

  • Whittier School No.1

  • Whittier School No.2

  • Whittier School No.3

  • Stairs & Railings No.1-M.Island

  • LINES & CURVES No. 1

  • Pasadena City Hall No. 1

  • NICASCIO Church

  • PRESIDIO Church

  • STORNETTAS DAIRY

  •  

    C  L  O  U  D  S
    S  T  O  R  I  E  S
    S H  A  D  O  W  S
    A C H I T E C T U R E
    S  E  A  S  I  D  E
    D  E  T  A  I  L  S

    LOCKWOOD PHOTO WORKS

    W  O  R  K  S    I  N    C  O  L  O  R

     WHEN YOU PURCHASE FINE ART PHOTOGRAPHY

      YOU'RE INVESTING IN YOUR FUTURE.

     

    ​

    In 1973 I had could have purchased an original print of 

    Ansel Adam's Moonrise Over Hernandez Mexico for $350.00.

    However, I was married, in college, was just starting out as a

    photographer and that was a lot of money back then. In 2006 this

    work sold for $609,600.00! Of course it also sold for lesser amounts

    as well, during its run up to this all time record. The hopefully 

    obvious point I'm making here is that.....just like painting, drawings

    and sculpture, etc., well executed fine art photography has value

    that will increase in time. Therefore, it can make for a good, long term

    investment that can be passed down generation after generation or 

    even sold during times of financial need for much more than its

    original value, making it a good addition to one's portfolio. 

    In addition, what other medium of investment, other than 

    other works of art and maybe classic cars, can bring the 

    added pleasure of getting to view one's favorite pieces 

    of art over and over again while they gain in value.  

     

    However, this means that these works need to be produced

    and preserved with archival methods, in order to retain their

    pictorial properties and quality. Therefore, I have chosen to 

    offer my black & white work on silver-gelatin based, photographic 

    papers only that retain the traditional archival properties of the

    medium. (Meaning that these prints will last for centuries, just like

    film based prints do.) However since that is not an option for color

    printing, color images will be printed with and on the highest quality, archival, digital printing processes and papers available 

    that retain similar archival keeping properties of silver-gelatin

    prints. This assures the collector that the value of this work

    will not only be retained in a collector's lifetime, but as this

    art is passed down, the potential of the art increasing

    in value as the generations pass is also maintained.

     

    Furthermore, in order to retain their value, fine art

    prints must be preserved and protected in the archival

    tradition as well. This means they must be mounted, matted

    and framed with arcid-free mounting materials, matting,

    glazing (the glass or Plexiglas) and framing too, so the prints

    don't become stained over time and so that they don't touch

    the glazing either, as that could actually affect the emulsion.

    ​

    Therefore, my prints are matted on archival, acid free, 3/16",

    cotton rag, museum board with either a white or black core.

    (The core is the inside edge of the mat, after a 45 degree cut is

    made. It functions as a secondary border and is typically 1/8"

    of an inch wide.) My framing is usually 3/4" in width, in a 

    simple black, wood museum style frame...the same as

    it would be shown with in a gallery or museum.

    ​

    Along these same lines, my work will not be available

    on trendy, flavor- of-the-month type mediums such

    as canvas, metal or bamboo, etc., nor will it be 

    available on t-shirts, coffee cups, phone covers or

    frisbees, etc. It will, however, be available in the future

    as collectible note and greeting cards that exhibit a

    similar level of quality that my prints possess.

     

    ​

     Please contact me personally to

    discuss print sizes and pricing:

     

    scott@lockwoodphotoworks.com

    510.316.1337
     

      

     

     

    N  E  W    W  O  R  K